The Small Faces' Decca Singles: A Tale of Artistic Freedom and Musical Brilliance
There’s something profoundly nostalgic about holding a vinyl record in your hands, especially when it’s a piece of music history. The recent release of Decca Singles 1965-1967 by the Small Faces isn’t just a collection of songs—it’s a time capsule. Personally, I think what makes this box set so compelling is how it captures the band’s raw energy and their relentless fight for creative control. It’s not just about the music; it’s about the story behind it, and that’s what makes it a must-have for any serious music enthusiast.
The Band’s Early Struggles and Triumphs
One thing that immediately stands out is the tension between the Small Faces and their manager, Don Arden. Arden’s decision to house them in a posh London neighborhood was clearly an attempt to mold them into something more marketable. But the 1966 photo on the cover tells a different story—these guys were rebels, dressed to kill and brimming with unbridled ambition. Their early singles, like Whatcha Gonna Do About It and I Got Mine, were R&B-infused mod anthems that showcased their talent. But when I Got Mine flopped, Arden pushed them toward the more commercial Sha-La-La-La Lee. What many people don’t realize is that this was the beginning of their battle for artistic freedom.
The Masterpiece That Changed Everything
All Or Nothing is, in my opinion, the crown jewel of this collection. It’s a song that perfectly encapsulates the band’s ability to blend raw emotion with polished pop sensibilities. What makes this particularly fascinating is how it became their first No.1 hit, proving that they didn’t need to compromise their vision to succeed. But the follow-up, My Mind’s Eye, was a different story. Steve Marriott’s fury over the release of an unapproved demo highlights the growing rift between the band and their label. If you take a step back and think about it, this was a pivotal moment—it wasn’t just about a single song; it was about who had the power to shape their legacy.
The Break and the Aftermath
The band’s split from Arden and Decca was inevitable, but it came at a cost. The final two singles in this collection, I Can’t Make It and Patterns, were released without their consent. What this really suggests is that even after breaking free, the band couldn’t escape the shadow of their former manager. Patterns, with Ronnie Lane on lead vocals, is a soulful gem, but its release felt like a final act of defiance by Decca. A detail that I find especially interesting is the B-side, E Too D—it’s chaotic, experimental, and completely out of place, almost like a middle finger to the label.
Kenney Jones and the Legacy of the Small Faces
Hats off to Kenney Jones, the last surviving member of the band, for keeping their legacy alive. His work on this box set is a labor of love, from the limited-edition vinyl pressed from the master tapes to the meticulously recreated Dutch picture sleeves. What many people don’t realize is how much effort goes into preserving music history, and Jones’s dedication is a testament to the band’s enduring impact. This isn’t just a reissue—it’s a celebration of a band that refused to be boxed in.
Broader Implications: The Eternal Struggle for Artistic Freedom
This raises a deeper question: how many artists throughout history have faced similar battles? The Small Faces’ story is a microcosm of the larger struggle between creativity and commercialism. From my perspective, their fight for control is what makes their music so timeless. It’s a reminder that art, at its best, is an act of rebellion. As we listen to these singles today, we’re not just hearing songs—we’re witnessing a band’s refusal to be silenced.
Final Thoughts
Decca Singles 1965-1967 is more than a collection of tracks; it’s a narrative of resilience, talent, and the unyielding pursuit of artistic freedom. Personally, I think it’s a must-listen for anyone who cares about the history of rock and roll. It’s a reminder that behind every great song is a story worth telling—and this one is particularly compelling. If you’re a fan of the Small Faces or just a lover of music history, this box set is a treasure trove waiting to be explored.
